Kraftwerk – The Man-Machine LP Red Vinyl

49,00 

The Man-Machine by Kraftwerk, released 9 October 2020, includes the following tracks: “Metropolis”, “Neon Lights” and more. This version of The Man-Machine comes as a 1xLP. The vinyl is pressed as a opaque, red disc.

Format LP
Pressing 180 G
Colour Red
Translucency Opaque
Total Duration 00:36:17
Description

The Man-Machine (German: Die Mensch-Maschine) is the seventh studio album by German electronic music band Kraftwerk. It was released on 19 May 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany’s fascination with manufacturing, and humankind’s increasingly symbiotic relationship with machines. It includes the singles “The Model” and “The Robots”.

Although the album peaked at 53 initially on the UK Albums Chart, it reached a new peak position of number nine in February 1982, becoming the band’s second highest-peaking album in the United Kingdom after Autobahn (1974).

Music
Matt Mitchell of Paste magazine said that “the album was where Kraftwerk took their mechanical style of old and re-tuned it into a club-worthy aesthetic”. The staff of GQ India assessed: “Taking electronic music from the German counterculture – a still influential moment termed Krautrock by UK audiences – across the 1970s and early ’80s, [Kraftwerk] sculpted something modernist […] out of the possibilities of synthesiser music.” According to Alex Linhardt of Pitchfork, the band “just sound like robots” on the album. He explained: “While the fast-paced world of Ralf Hütter quotes knows no limits of pretension, this is the only album that conceivably expresses his ideal music: No emotions, no philosophies, no performances, and virtually no humor. It is pure technology: the whistles and surging circuitry of unmanned factories; twinkling hydraulic tubes; flaring odometers and cogs; and pre-Pong claw-claps.” According to Steve Huey of AllMusic, “The Man-Machine is closer to the sound and style that would define early new wave electro-pop – less minimalistic in its arrangements and more complex and danceable in its underlying rhythms.” He further described the style as “more pop-oriented than any of their previous work”

Themes explored on the album include science fiction and urbanization.

Artist Kraftwerk
Label Plg
Release Date 09.10.2020
Status Current
Article ID Z90906
EAN 0190295272333
Catalog no. 019029527233
upid 1450927
Colour Red
Height 8 mm
Width 320 mm
Weight 400 gr

TRACKLIST

Track listing

All lyrics are written by Ralf Hütter except "The Model", lyrics by Hütter and Emil Schult.

Side one
No. Title Music Length
1. "The Robots" ("Die Roboter") 6:10
2. "Spacelab"
  • Hütter
  • Bartos
5:50
3. "Metropolis"
  • Hütter
  • Schneider
  • Bartos
6:01
Side two
No. Title Music Length
4. "The Model" ("Das Model")
  • Hütter
  • Bartos
3:38
5. "Neon Lights" ("Neonlicht")
  • Hütter
  • Schneider
  • Bartos
9:03
6. "The Man-Machine" ("Die Mensch-Maschine")
  • Hütter
  • Bartos
5:28
Total length: 36:10
About Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier that year had been rejected by Decca Records. During the 1960s, when Cilla Black, Billy J. Kramer, the Fourmost, and the Hollies also signed, Parlophone became one of the world's most famous labels. For several years, Parlophone claimed the best-selling UK single, "She Loves You", and the best-selling UK album, Sgt. Pepper's Lonely Hearts Club Band, both by the Beatles. The label placed seven singles at number 1 during 1964, when it claimed top spot on the UK Albums Chart for 40 weeks. Parlophone continued as a division of EMI until it was merged into the Gramophone Co. on 1 July 1965. On 1 July 1973, the Gramophone Co. was renamed EMI Records Limited. On 28 September 2012, regulators approved Universal Music Group's (UMG) planned acquisition of EMI on condition that its EMI Records group would be divested from the combined group. EMI Records Ltd included Parlophone (except the Beatles' catalogue) and other labels to be divested and were for a short time operated in a single entity known as the Parlophone Label Group (PLG), while UMG pended their sale. Warner Music Group (WMG) acquired Parlophone and [PLG] on 7 February 2013, making Parlophone their third flagship label alongside Warner and Atlantic. PLG was renamed Parlophone Records Limited in May 2013. Parlophone is the oldest of WMG's "flagship" record labels.
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